a5c7b9f00b The year is 2010. Teenager Alan Tracy, sent off to a distant boarding school, is the youngest of the sons of Jeff Tracy, a retired American astronaut. Jeff, a widower, has formed International Rescue, and raised his sons to acta secret, volunteer organization which uses highly advanced technology to save lives worldwide. Jeff and his older sons John, Virgil, Scott, and Gordon, who like Alan were named after the Mercury Seven astronauts are joined in this effort by Lady Penelope and her butler/chauffeur Parker. Their futuristic hardware is largely developed by a genius scientist knownBrains, who lives at the International Rescue base on Tracy Island, somewhere in the Pacific.
When The Hood finds and invades International Rescue's secret base and traps most of the Tracy family, only young Alan Tracy and his friends can save the day.
It's from the 60s, an age when vulgarities and excessive movie violence are not known… more accurately, not invented yet.<br/><br/>Kids these days (and yes, I do mean kids) are so brain-washed with weak stories, violent contents, vulgarities and of course, sex. These movie must really be a bore for them.<br/><br/>This is a nostalgic sci-fi movie for the FAMILY.<br/><br/>If you are looking for a CG-loaded Spy Kids 2, or an action-packed bombastic The Chronicles Of Riddick, this is definitely the wrong genre.<br/><br/>However, having said all that, I still think they could improve the story line. The over-simplistic plot does no good for this movie. It could have been more complex. Kids these days are not that innocent anymore.
How could they do this? How? For heavens sake, who in hell thought that doing this to a classic was a good idea? Do these people have any sense of the definition of respect? This was such a bad movie, my disappoint cannot be described in words, my childhood memories will forever be dented. Yes, 1 for awful, awful, rubbish, sad, terrifying. I just can't comprehend why they did this, it just won't/can't get through that someone, maybe even a group of people thought that making this movie was a good idea. Have they ever even seen the original series, did they or their children ever make the Blue Peter model? Nostalgia, lost forever. Utterly insane. I hope this helps people, its just a personal rant, but I'm sure a lot of people feel exactly the same wayme.
As the dapper Lady Penelope, Sophia Myles tries to infuse the enterprise with some "Charlie's Angels" verve, but she's only one life vest, and the movie is a downed plane.
According to publicity material, the film is set in 2020, six years before the first episode of the series. This may appear not to be canon to the TV series, and in fact isn't, but this is not a fault of the filmmakers. In the Christmas episode "Give or Take a Million", we see a calendar with the year 2026. It has since been stated that this year was a mistake by the propmaker and should have been 2065, the year that Gerry Anderson wanted the series to be set in, and is generally accepted to be the case. But where Alan Tracy is 21 in the series, in the film he is 15, so the year corresponds correctly. Yes, there are quite a few:<br/><br/>Characters' ages: Many of the characters are younger in the film than in the show. As this film is supposedly set six years before the series' pilot (ignoring the fact that the episode features International Rescue's first mission) then this is feasible. However this is not applied to everyone; Lady Penelope and Parker are clearly around the ages given to them in the show (27 and 55, respectively) and Brains is also older - although that may because of another change; he's a father!<br/><br/>New characters: Yes, Brains has a son in the film, Fermat. Along with Onaha, wife of Jeff Tracy's manservant Kyrano, these two characters were created specifically for the film,were The Hood's associates, Transom and Mullion.<br/><br/>Pilots: Jeff Tracy is seen flying Thunderbird 2 at the beginning of the film, with Virgil seemingly his co-pilot. Virgil is never seen flying her solo. The most obvious change is that Gordon Tracy is shown here to be the pilot of space rocket Thunderbird 3. In the series he was the aquanaut in charge of submarine Thunderbird 4, a role apparently given to Alan at the end of the film, going by the yellow colour-coding of his International Rescue uniform. <br/><br/>The Hood: Sir Ben Kingsley's character actually calls himself by this name in the film,wellbeing referred toThe Hood by other characters. The Hood was never mentioned by name in the TV series, only in other media suchcomics and publicity material.<br/><br/>FAB 1: Lady Penelope's famous pink Rolls Royce limousine of the TV show becomes a modified Ford Thunderbird car in the film. This is due to BMW, holders of the Rolls Royce marque, refusing to allow the filmmakers to use it. The new version does bear some trademarks of its TV counterpart, suchthe glass canopy, six-wheel drive, and "special features" - although the version in the series did not fly…<br/><br/>Tin-Tin's powers: Unlike the TV series, in the film Tin-tin is shown to possess and use the same telekinetic/mind control powersher uncle, The Hood.<br/><br/>Uniforms: International Rescue uniforms are completely different in the film than the TV series, although they are colour-coded like those in the show. Also, there are no hats, although an ice cream seller (a cameo by the film's visual effects supervisor, Mark Nelmes) can be briefly seen to be wearing a white version of the original TV series hat in the sequence where Thunderbird 2 lands in London. Jonathan Frakes confirms in the DVD commentary that this was a deliberate reference.<br/><br/> This footage was originally part of the sequence in the film where FAB1 approaches Tracy Island by sea. This scene originally concluded with The Hood firing a missile and destroying the car, forcing Lady Penelope and Parker to make the rest of the journey in the pedalo, but this was cut, and the pedalo footage moved to the end of the film. Simple answer: because Ford paid a lot of money for them to be there! The company struck a product placement deal with the filmmakers, which included Lady Penelope's car, FAB 1, being a modified Ford Thunderbirdopposed to the original series' Rolls Royce, though this wasmuch the fault of the marque holder, BMW, not allowing it to be used. The placement of Ford vehicles throughout the film is so blatant and almost absurdly extensive that director Jonathan Frakes even suggests on his DVD commentary that it is detrimental to the filma whole. He has a point.
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